This movie from Fascist-era Italy is not a musical version of Giacomo Puccini's operatic masterpiece but a straight dramatic narrative of the same story that had originated in Sardou's play. Puccini's music does figure in, however, with strategically placed arias on the sound track. Argentina-born Spanish actress Imperio Argentina plays the title role with diva-esque aplomb. Rossano Brazzi is perfectly cast as the strikingly handsome painter and revolutionary collaborator Mario Cavaradosssi. Michel Simon steals the show whenever he is on screen, as nefarious police chief Baron Scarpia, who is out to apprehend all opponents to Papal rule in this story set in early 19th-century Rome...and who has his eyes on Tosca for his own sexual gratification. He pays with his life, victim of Tosca's loathing and a well-placed knife.

武平侯已经习惯了靖远侯的态度了，就连靖远侯府的车夫每次接靖远侯下(xià )朝都(dōu )要看一出(✊)自家侯爷嫌弃女婿的戏码，若是哪一日自家侯爷没见到(dào )女婿还要念叨个不停。

悦颜嘻嘻笑了一声(🕷)，是秘密(🌗)。妈(🈹)妈我先上(😾)楼洗澡啦！

幼き時代より宿められた骨肉(🕰)の抗争――。韓国を舞台にした、日韓(hán )合作の超大作！

顾潇潇想了想，也就没过(🎢)去和她打招呼，直接从她身边走过，渐渐远去，又悄悄走上前躲在(zài )她身后。

霍(⛏)修厉一听有事儿，眼(🥋)神都(dōu )变了，凑上(shàng )趴在(❗)他课桌边，调侃道(🥫)：什么事儿啊(ā )？我刚刚看(kàn )你出去追孟行悠了，你跟她(tā )有情况(kuàng )？

那是你的家。叶惜说，那栋房子，早就不(bú )属于我了，那里只属于你，你想带谁回去，就可以带(dài )谁回去，不用再顾忌(🕟)我。

奥娜·卓别林，西班牙(⏬)女演员。生于马德里，从小就随家庭在世界各地旅行。她的父亲是一位智利摄影导演，并积极投身于古(gǔ )巴与智利的政治活动(dòng )，奥娜的母亲杰拉丁·卓别林也是一位(wèi )演员，奥娜与母(mǔ(😺) )亲曾在两部影片中合作，第(🌬)一部是意大(🏴)利(🐓)影(🧢)(yǐng )片《IMAGO MORTIS》，另一部是在玛丽·马克格拉吉(jí )安(ān )执导的电影《拉(⛄)斯维加斯的艺术(🍙)》。

Crime drama featuring the pioneering 19th-century detective Jack Whicher. After leaving the Metropolitan Police, Whicher saves a respectable country lady from a violent robbery in a dangerous quarter of London. Susan Spencer is desperately hunting for her vulnerable niece Mary, who came to London in search of Stephen Gann, the young man who had made her pregnant. Susan commissions Jack Whicher as a private inquiry agent to find her niece and the young man. Soon, Whicher is irresistibly drawn into a disturbing and puzzling murder case, bringing him up against wealthy and powerful figures and throwing him into conflict with his former colleagues in the Metropolitan police. The investigation leads to a private lunatic asylum where Whicher himself must confront the darkness of his own demons.