这(🕓)聂家的一切都是(🏟)他的，他怎么能允许这聂(🦁)家的人自己拉帮结伙？

I didn't much like this film when I first saw it ten or twelve years ago, but I was probably expecting a serious, fast-paced, violent Italian crime film as many of Tomas Milian's mid-70s films were. However this one emphasizes the comedy at least as much as the action, although it is still a successful package and the comedy/crime mixture works well. I haven't see all the later films (which ran well into the 1980's) with Milian as unconventional police inspector Nico Giraldi, but the one after this THE GANG THAT SOLD America, which also features a lot of US location shooting, does not work that well in my opinion and is full of dated pop culture references and unfunny humor. The first scene of LITTLE ITALY--as a dirty old man is looking through binoculars at a lady undressing...while his apartment is completely stripped clean by robbers only a few feet away from him!--sets the tone for the film. The plot, such as it is, takes Milian to New York and eventually to Las Vegas (and eventually to the gas chamber in Nevada in an outrageous climax!), and there's lots of great location footage of him walking along the old Vegas strip circa 1978. Eli Wallach appears (though his voice doesn't!) as a mafia don, in a role that didn't require much of this fine actor, but he plays comedy well and is good in the scenes involving his underlings, his red-haired wallflower oversexed daughter, and Milian (the scene in the Italian restaurant where Milian throws a pizza in the face of one of Wallach's underlings is classic!). Bombolo, who appears in a number of these later Nico Giraldi films, is a fine comic foil for Milian, and they have a good chemistry. I've yet to see the 1980's entries in this series (any kind soul out there with extra copies?), but in LITTLE ITALY the series still has some life in it, and Bruno Corbucci makes the mix of lowbrow Italian comedy and Italian police action work well. Not a classic, and action-oriented fans will be let down, but Milian fans will enjoy it.

其(qí )实她很聪明啊，她应该分得清是谁好人谁是坏人，可我就怕她故意慕浅说，这样的故意，可是八头牛都拉不回(huí )来的。

可是我这心中就算是再憋闷(mèn )也没什么用(yòng )，咱们(men )家不(💞)是那李家的对手，之前的时候，我这心中(🚔)还有点盼望，希望能帮着妮子(🏯)找个婆家，可是如今我看以后就算不是这王家，李家这(🛳)些丧尽(jìn )天良的玩意儿，也会从中作(👽)梗。说道(💔)最后，杨翠花就骂了(le )起来。

她站在包间门口，一只手紧(jǐn )紧捏着门把手，却没有动。

Sung-hie goes to the US to live with her sister and study dance. However, she discovers that her sister is not as successful as she was led to believe. Her sister is working as a truck driver and trapped in a loveless marriage in order to obtain a green card. She arranges a marriage for Sung-hie as well and both live their lives in fear of immigration officers.

迟砚看这(zhè )样纠缠下去(qù )也没结果，站出来(lái )看(kàn )向秦千艺，问了她一个奇奇(qí )怪(🙄)怪的问题：秦千艺，你(🉑)成年了吗？

张(zhāng )采萱回头，想了想还(🖤)是坐下，她猜测可能是要说房子的事情。

著名的好莱坞女星乌玛·瑟曼(🚡)天生丽质，身高178厘米，身材(⚓)纤细，一向是不少影迷心目中的标准美女，乌(🐂)玛(⏩)·瑟曼1970年4月29日出生在美国波士顿(dùn )，父亲是(🎚)研究印度佛教哲学的(🐇)专家，母(mǔ )亲来自瑞典，是个心理分析医生(shēng )。东方文化的熏陶和一袭(🌪)欧洲风(🚹)韵，使美丽的乌玛瑟(💬)曼气质独特，且有种神秘感。乌玛·瑟曼有一种其他女演(yǎn )员无法匹敌的致(🔎)命性感魅力。她的表演力戒张扬，在平淡中(🚚)表现人性深度。Steven Knight is a British screenwriter. Knight has written scripts for numerous British television programmes such as the British version of Who Wants to Be a Millionaire?, BBC's Commercial Breakdown, The Detectives and others. However, he is best known for screenplays he wrote for films Dirty Pretty Things and Eastern Promises. His work on the screenplay for Dirty Pretty Things earned him the Edgar Award for Best Motion Picture Screenpla...