在阿姆斯特丹，警方发(😮)现了被残(🌊)忍杀害的一家人(rén )的尸体，警方对(🆘)此(🀄)案一时之间毫(háo )无头绪。但是阿姆斯特丹动物园的兽医Lizzie通过伤口怀(huái )疑这应该是一只大型的狮(📝)子所为。但最初Lizzie的猜测(🍶)并没有受到警方的(🏋)重视，直到越来越(💌)多的受害者以相同的方式被杀害，毫无疑问阿姆斯特丹已(🎽)经成为(wéi )了一位捕食(🔽)(shí )者的狩猎场。警方指派猎...

在安第斯山脉(mò )的(de )一个(💥)偏远地区，一(yī )具无头女尸的出现打破了当地的平静(jìng )。乡村警察Cruz负责案件调查。David是Cruz的情人Francisca的丈(zhàng )夫，他很快(kuài )成为警察的主要嫌疑人。在被(bèi )送往精神病院之后，他不断重复一个“怪物”在(zài )他的生活中毫无缘由地突然出现。自此，Cruz的头脑(nǎo )中形成了一个与几何概念以及一(🔎)帮摩托骑手有关(guān )的神秘理论(lùn )，一个声音就像咒(zhòu )语般在他心中低语：“死吧，怪物，死吧”……

在电厂大火中大难不死的灾难记者离群索居(🔴)两年，重作冯(🖱)妇回到一家小报社工作，却意外发现许多重大灾难的档案(àn )照片里都有一个长相奇特的黑衣男子。美艳的档案研究员协助他调查(🔟)，于是他阻止了一场空难、阻止一列地下铁列车翻覆、并且试图阻止装满(mǎn )一万多人的体育馆失火----他的(🚪)儿子在里面(👣)看球(🌒)赛。同时，两个从未来过来的人试图阻止他阻止这一切的灾难……

她(🛵)想起之前迟砚在休息室弹吉他的样子，还有那次进录音棚陪群杂(zá )的情景。

this is a damiano damini so youll expect a certian level of social realism and it does not disappoint. its a damming film about the stranglwhold of th...

王氏怎么也不可能让这(🈹)样(🦒)一个疯婆子留在女儿身边，当即就要把她赶出去。

Neenu and Bobby are introducing their parents on the night when Diwali lands on Halloween. Neenu wants to celebrate Diwali, the Festival of Lights, & her nephew Jai wants to celebrate Halloween - the holiday of Horror. Everything goes wrong in this whimsical family comedy. The neighborhood kids get lost searching for Pookie, a run away dog. Bobby gets in deep trouble in a case of mistaken identity. Will Neenu have the perfect holiday she planned?

记者Annika Bengtzon 在为关(guān )于一部关于天堂的小说搜集(😆)素材时(📯)(shí )发现一个基金会打着保护受(shòu )到虐待的妇女的幌子(🐨)，包庇罪犯并从(🥊)政府骗取资金。她在斯德哥尔摩海港遇到(🔣)一起行凶事件，发现南(nán )斯拉夫黑社会组织牵扯其(🔊)中。Annika 想把故(🔕)事写到自己的小说中。在搜(sō(🕡)u )索(suǒ )真(zhēn )相的过程中，巧遇在政(🌿)府部门工(gōng )作的未婚夫Thomas . Thomas 对案件也发生了极大(dà )的兴趣。

Charthurst Green, Kent, 1966. Pauline Cox accompanies Mike Robins to a village cricket match in which he is playing, but becomes bored and wanders away. She fetches up at the local railway halt, where she is first entertained to tea by the garrulous, hunchbacked station keeper, then upset by the intrusion of the latter's assistant Ewen, who proceeds to kill a rabbit in her presence. Making her way back to the match, Pauline is waylaid by the simple-minded Ewen as she crosses an apple orchard; when his advances become violent, she tries to fight him off and he strangles her. That evening, the hunchback discovers Ewen with Pauline's body in the shack where he lives, and helps him to bury the corpse in the orchard. Later, however, Ewen inadvertently betrays himself: the body is disinterred by the police and Ewen breaks down hysterically. Years later, the hunchback, who has disavowed Ewen, encourages the friendship of another village youth. Peter Jessop's carefully textured camera work initially lends this mini-feature an edge of the picturesquely sinister. But the resolution of the anecdote is rather forced and anti-climactic, and some of the details (like the police searching the orchard at the dead of night) ring distractingly false. All the same, it represents a debut of some promise.