This is a psychological drama about Louis Riquier (Charles Berling), a veteran of the Algerian war and a divorced father whose wife (Beatrice Palme) has custody of their children and who barricades himself with the kids in his country house. The police and the press surround the house, but he does not want to surrender. Instead, he gets more and more violent. Manipulated by their father, the kids go along with the scenario, taking it as a game. The film has as background the turbulence of 1968, with all its left-wing political implications. As in the director's previous film (Vieux fusil (The Old Gun), the gun also has multiple purposes here. Literally speaking, it is the instrument of crime; metaphorically, it is the force that would liberate the poor victim from his tragic fate. But the hero is just too violent and emotionally disturbed to evoke one's pity. The film is heavy with many denunciations, trying to evoke the atmosphere of the early 1970's, but it loses its impact when it abandons character development in favor of political jargon and becomes only an imperfect copy of an important period in French history.

那妇人嘴唇颤抖，闻言眼眶一红(hóng )，说了，征兵啊她捂着嘴哭了出来。

快餐(✊)店打工(gōng )仔阿银（周星驰）某日送快餐时邂逅正在武术训练馆学习日本(běn )空(kōng )手道的阿丽（钟丽缇），对其一见钟情(qíng )。遭遇同样喜欢阿缇的武馆教练林国斌(👞)的羞辱后，自觉(🌤)太弱小的阿银(yín )决定拜自称为“魔鬼筋肉人”的达叔（吴孟达）为师，达叔一开始只想骗取阿(ā )银的钱财，终被其善良和执着(zhe )打动，开始教授其中国古拳法。 阿丽(🔳)遇坏人(rén )拦截(💻)...

阿(ā )姨领着洗完手的霍祁然(🎠)走过来，闻言笑道这还不简单吗再(👜)过两(🛳)个月照(📝)一(🐙)下，就知道是男孩还是女孩啦(💉)

有小男人绰号的玩具设计师罗友弟,偶遇一专爱说谎的富(fù )家女阿贞,她(tā )自称是(shì )问题少女,正被黑(hēi )社会逼害,罗出(🌰)于正义感,决定帮(😦)助她解脱困难,重新做人(rén )。

她低头看了一眼她脚下，突然露出一抹笑(👆)，不客气的伸腿过去挡在她前面。

11岁的镇浩和生病的母亲以种树买卖木材维生。镇浩最担(dān )心的事情就是(shì )，如果有一天母亲撒手而去，他一个人如何在这个世界立足。一天，因为朋友成日，镇浩和母亲(⚡)发生了争执，负气(😃)之下一个人(rén )上山，却发(📈)生了事故，迷了(😥)路。焦急的母亲拜托警察一起(qǐ )寻找孩子未(wèi )果，心一下子沉到谷底。迷路后的镇浩一(yī )直忍饥挨饿，终于平安无事地找到(⚓)...

秦月没想到她会真的动手打(🍌)人(💤)，没来(lái )得及拦住。

江(🌋)明心里觉(🎪)得很对不起莫奶奶了，如今看到跪在面(⚡)前(qián )不肯起来的莫(🔨)奶奶，心里更加的难过(⛔)。