影片名称：I Love a Mystery

上映时间：2024年

影片类型：短片

影片导演：詹姆斯·汉普顿

影片主演：克里斯托弗·普卢默,詹姆斯·梅森,戴维·海明斯,苏珊·克拉克,安东尼·奎尔,约翰·吉尔古德,唐纳德·萨瑟兰,弗兰克·芬莱,詹妮薇芙·布卓

资源类别：全集完整未删减版

总播放次数：182

Performed in concert at Berlin's exquisite Tempodrom Arena in January of 2009, this DVD showcases David Garrett's unique and wholly individual style which pays as much homage to Metallica as to Bach. This concert covers an incredibly diverse selection of repertoire, representing David's love for many genres and his remarkable ability to tackle each with unsurpassed enthusiasm. Michael Jackson's "Smooth Criminal" is cleverly reinterpreted, as is Queen's ballad, "Who Wants to Live Forever." AC/DC's "Thunderstruck" is given a memorable new twist, alongside "He's a Pirate" from "Pirates of the Carribean." Given his enduring commitment to his first musical love, watch as David performs classical selections including the last movement of Vivaldi's "Summer" from The Four Seasons, and Bach's "Air." Not to be satisfied with only imaginative covers, David also displays his own deft writing skills with notable originals, including "Chelsea Girl."

“座头市(shì )”三年(nián )前误杀了一个男子(🗯)“吉(jí )藏”，因而来到上州的板仓村时想去吉(jí )藏之墓上一炷香。板(bǎn )仓村因为连(lián )续三年欠收，无法上缴年贡，好不容易全村筹出了三千两年贡要送缴“代官”时，竟(jìng )然遇上不明的(🕔)抢匪，三千两年贡就这样不见了…… ...

Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.

裴暖指着地上两个(🤞)人的影子，不可思议地问：今天怎么可能会下雨？

Three stories which follow three days in the life of a business woman today, her adult son and his little boy whose father and grandmother learn of his existence five years after his birth.

她看向躺(🤥)在病床上的宫煜城，眼底有(🦁)伤痛(tòng )划过，在心里默默的念到：(🤢)老大，对不(☕)起，是顾潇潇(🔇)自己(⛪)让我说的，不怪我。

午夜的宿舍楼内(nèi )，传来鬼魅的唱戏声，那声音竟然来自已经死去的剧团女主演！全楼居(jū )民极度(dù )恐慌。年轻人陆离和哥们(🔄)儿一起调查女鬼真(🍳)相，却越陷越深，先是剧团化妆师被女鬼(🤖)附身，离(lí )奇丧命(💑)，紧接着哥们儿也惊吓过度，疯癫死亡，外地来的老母亲再度被女(nǚ )鬼纠缠(🍚)，陆(🤔)离本(běn )人也一(yī )次次被(bèi )鬼魅侵袭！一连串惊(jīng )心动魄的奇(🎆)情怪事之后，当夜半...

慕浅却看着她道：叶瑾帆和陆(lù )氏联合起来的事，你怎么不告诉我呢？

霍(huò )靳西正(zhèng )在门口调(😥)节包厢内的灯光和温度，一(🔇)转头，忽然就看见慕浅正站起身来准备往上爬。

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